The Dutch physician Franciscus Sylvius is often falsely credited with the invention of gin in the mid 17th century, although the existence of genever is confirmed in Philip Massinger’s play The Duke of Milan (1623), when Sylvius would have been about nine years old. It is further claimed that English soldiers who provided support in Antwerp against the Spanish in 1585, during the Eighty Years’ War, were already drinking genever for its calming effects before battle, from which the term Dutch Courage is believed to have originated.
The earliest known written reference to genever appears in the 13th century encyclopaedic work Der Naturen Bloeme (Bruges), with the earliest printed recipe for genever dating from 16th century work Een Constelijck Distileerboec (Antwerp).
By the mid 17th century, numerous small Dutch and Flemish distillers (some 400 in Amsterdam alone by 1663) had popularized the re-distillation of malt spirit or malt wine with juniper, anise, caraway, coriander, etc., which were sold in pharmacies and used to treat such medical problems as kidney ailments, lumbago, stomach ailments, gallstones, and gout. Gin emerged in England in varying forms as of the early 17th century, and at the time of the Restoration, enjoyed a brief resurgence. When William of Orange, ruler of the Dutch Republic, occupied the British throne with his wife Mary in what has become known as the Glorious Revolution, gin became vastly more popular, particularly in crude, inferior forms, where it was more likely to be flavoured with turpentine as an alternative to juniper.
Gin drinking in England rose significantly after the government allowed unlicensed gin production, and at the same time imposed a heavy duty on all imported spirits such as French brandy. This created a larger market for poor-quality barley that was unfit for brewing beer, and in 1695-1735 thousands of gin-shops sprang up throughout England, a period known as the Gin Craze. Because of the low price of gin, when compared with other drinks available at the same time, and in the same geographic location, gin began to be consumed regularly by the poor. Of the 15,000 drinking establishments in London, not including coffee shops and drinking chocolate shops, over half were gin shops. Beer maintained a healthy reputation as it was often safer to drink the brewed ale than unclean plain water. Gin, though, was blamed for various social problems, and it may have been a factor in the higher death rates which stabilized London’s previously growing population. The reputation of the two drinks was illustrated by William Hogarth in his engravings Beer Street and Gin Lane (1751), described by the BBC as “arguably the most potent anti-drug poster ever conceived.” The negative reputation of gin survives today in the English language, in terms like “gin mills” or the American phrase “gin joints” to describe disreputable bars, or “gin-soaked” to refer to drunks. The epithet “mother’s ruin” is a common British name for gin, the origin of which is the subject of ongoing debate.
The Gin Act 1736 imposed high taxes on retailers and led to riots in the streets. The prohibitive duty was gradually reduced and finally abolished in 1742. The Gin Act 1751 was more successful, however; it forced distillers to sell only to licensed retailers and brought gin shops under the jurisdiction of local magistrates. Gin in the 18th century was produced in pot stills, and was somewhat sweeter than the London gin known today.
In London in the early 18th century, much gin was distilled legally in residential houses (there were estimated to be 1,500 residential stills in 1726) and was often flavoured with turpentine to generate resinous woody notes in addition to the juniper. As late as 1913, Webster’s Dictionary states without further comment, ” ‘common gin’ is usually flavoured with turpentine”.
Another common variation was to distill in the presence of sulphuric acid. Although the acid itself does not distil, it imparts the additional aroma of diethyl ether to the resulting gin. Sulphuric acid subtracts one water molecule from two ethanol molecules to create diethyl ether, which also forms an azeotrope with ethanol, and therefore distils with it. The result is a sweeter spirit, and one that may have possessed additional analgesic or even intoxicating effects â€“ see Paracelsus.
Dutch or Belgian gin, also known as jenever or genever, evolved from malt wine spirits, and is a distinctly different drink from later styles of gin. Schiedam, a city in the province of South Holland, is famous for its jenever-producing history. The oude (old) style of jenever remained very popular throughout the 19th century, where it was referred to as “Holland” or “Geneva” gin in popular, American, pre-Prohibition bartender guides.
The 19th century gave rise to a style of gin referred to as Old Tom Gin, which is a softer, sweeter style of gin, often containing sugar. Old Tom gin faded in popularity by the early 20th century.
The invention and development of the column still (1826â€“31) made the distillation of neutral spirits practical, thus enabling the creation of the “London dry” style that evolved later in the 19th century.
In tropical British colonies gin was used to mask the bitter flavour of quinine, which was the only effective anti-malarial compound. Quinine was dissolved in carbonated water to form tonic water; the resulting cocktail is gin and tonic, although modern tonic water contains only a trace of quinine as a flavouring. Gin is a common base spirit for many mixed drinks, including the martini. Secretly produced “bathtub gin” was available in the speakeasies and “blind pigs” of Prohibition-era America as a result of the relative simple production.
Sloe gin is traditionally described as a liqueur made by infusing sloes (the fruit of the blackthorn) in gin, although modern versions are almost always compounded from neutral spirits and flavourings. Similar infusions are possible with other fruits, such as damsons or beach plums.
Since 2009 the second Saturday in June has been designated as World Gin Day.